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Filmmaker Bertrand Mandico dissects his surreal She Is Conann (2023), a time-warping tale of barbarism, femininity, and myth.
As Conann journeys through decades, with each version of Conann trying to kill her predecessor, Mandico reflects on time, cinema history, political allegory, and European collapse—while tracing influences from Pasolini to Japanese avant-garde and Sunset Boulevard. In collaboration with Curtas de Vila do Conde.
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